Broadcast-grade streaming, IMAG and multi-camera production for festivals, arena tours, councils and universities. Our crew, our kit, and failover for everything.
People we've worked with
The kit we use
Live streaming
To YouTube, Teams, Vimeo or your own player. Redundant encoders, redundant uplinks and a clean recording of everything, regardless of what the stream did.
A dedicated, tested venue line gets used where there is one, and it is often the best route. Guest WiFi never carries a broadcast, and bonded 4G, 5G and Starlink travel with us either way.
Live captions and in-vision BSL are planned in from the first conversation, including a green screen position where the signer needs one. Deliberate, not bolted on the week before.
A programme record on every job, so you have the show as it was cut. Chaptered archives, highlights and accessible transcripts on request.
Live production & IMAG
LED screens, vision mixing and camera crews for festivals, touring shows and conferences, with a simultaneous stream output if you want one.
Who we work with
An AGM and a graduation use similar cameras and the same crew. What changes is what you need to get right, and who notices if it goes wrong.
Why dwmedia
Risk assessments, PAT certificates and confirmations arrive before you ask. On the day we get on with it.
Redundant encoders and duplicate uplinks. Problems get solved before the audience sees one.
Cameras, screens, broadcast audio, captions and connectivity from the same team. One contact, nobody pointing fingers at 6am.
Insurance, method statements and itemised quotes formatted to drop straight into your process.
Pricing
Tell us the date, the venue and roughly what you need. After a proper conversation you get an itemised quote, and it doesn't move unless your event does.
Step one
Four questions online gives you a ballpark in about a minute. No email, no sales call.
Step two
We tell you what we would bring and why. If we are wrong for the job we will say so.
Step three
Kit, crew, travel and contingency listed separately, ready for procurement.
We assess what is already there. A dedicated, tested venue line is often the best route and we are happy to use one. Shared guest WiFi is not used for anything production-critical. Bonded 4G, 5G and Starlink come with us on every job as failover, and sites with no usable infrastructure at all are run entirely on our own connectivity.
It depends on cameras, crew days and travel, but you will never get a vague answer. The estimator gives you a ballpark in a minute, and a written itemised quote follows once we have talked through the event.
Yes. Live captions and in-vision British Sign Language are planned into the production from the start, rather than added the week before, which is usually why they end up looking like an afterthought.
A programme record comes as standard, so you have the show as it was cut. Separate recording paths, edited highlights, chaptered archives and accessible transcripts are available as extras.
Anywhere in the UK. We are based in Ashington, Northumberland, and the trailer is regularly out as far as London, Cornwall and Glasgow. Travel is itemised so there are no surprises.
Public liability, employers liability, risk assessments, method statements and PAT certification all get sent across before the event without you having to ask, which matters if you are running a procurement process.
Thirty minutes and you will know exactly what we would bring, what it costs and whether we are the right people for it.