Outdoor22 September 2026
Producing a Live Stream From a Field With No Infrastructure
Some of the best events happen in places with nothing. No power, no internet, no shelter, no building. Here is what that actually requires.
Power
Everything comes off a generator, and the generator has to be specified before it is ordered. That means somebody has calculated what the rig draws, added headroom, and decided where it sits relative to the noise-sensitive parts of the site.
Generators need fuel for the duration, and somebody responsible for refuelling. A production that stops at hour nine because nobody planned the fuel is a preventable failure.
Distribution across the site matters as much as the generator. Long cable runs lose voltage and every run across public ground needs matting.
Connectivity
There is nothing to plug into, so connectivity arrives with us. Bonded 4G and 5G across multiple carriers handles most sites. Where cellular is thin or absent, Starlink covers it.
The important part is that this is not a backup arrangement. On a bare site it is the primary path, and it is tested on arrival rather than assumed.
Weather
Kit gets covered whether or not rain is forecast. Camera positions get shelter. The production position needs somewhere dry that stays dry, which usually means a vehicle or a proper structure rather than a gazebo.
Heat is the underrated one. Equipment in direct sun in July shuts down, and the fix is shade planned in advance rather than a jacket over a camera on the day.
Ground and access
Vehicles have to reach the position, which on wet grass is a question about tracking and about who has the tractor. Cable runs cross paths the public uses. Anything at height needs sign-off.
What this means for the quote
A bare site production carries costs an indoor equivalent does not: generator, matting, shelter, longer get-in, more vehicle movements. None of it is optional and all of it should be visible in the quote rather than appearing later.
More on connectivity with no infrastructure.
Daniel Wilkinson
Founder and Operations Director, dwmedia. Live production across the UK since 2014, 18 UK arenas and 16 or more festivals a year. More about us