What Glasgow actually needs
The SEC site gives you the Hydro, the Armadillo and the exhibition halls within a few hundred metres of each other, and they are three completely different production problems. An arena show, a seated auditorium and a flat exhibition floor need different rigs, different positions and different amounts of cable.
Glasgow is also usually the northernmost date on a UK routing, which means it is the one where a plan either holds up or falls apart. Working to the same camera language we used in Manchester or Birmingham is the difference between a consistent run and a scramble.
Scotland is a full travel day for us either way, so we plan the advance properly and turn up rigged rather than improvising on arrival.
What we do in Glasgow
Where we have worked
From village halls to the arenas. dwmedia has delivered live production in 15 of the 25 major UK arenas, and the same crew and kit covers a single-camera stream in a local hall. From £500 for a single camera, from £1,950 for a multi-camera day. See the estimator ›
Regularly, and the Hydro is on our arena list. Scotland is a full travel day each way, so we plan the advance properly rather than turning up hoping the venue will improvise with us.
Yes. The Armadillo and the exhibition halls are different jobs from the Hydro, and we rig for the room you are actually in rather than bringing an arena setup to a seated auditorium.
Yes, and it works best when we have done the earlier dates too. Same camera language, same crew, and a get-in that does not start from scratch just because it is the far end of the routing.
Tell us the venue and the date and you will get an itemised quote you can take to a budget holder.